Showing posts with label Stats. Show all posts
Showing posts with label Stats. Show all posts

Wednesday, February 8, 2012

Russian ad business bucks the crisis trend

Published: 07 February, 2012, 14:15



Ad spend is expected to show a double digit growth of 16.5 percent in 2012

TAGS: Investment, Russian economy,Infrastructure, Finance



Crisis or not, companies in Russia are splashing out on advertising. Ad spend is expected to show a double digit growth of 16.5 percent in 2012, according to a survey by the UK-based WARC marketing information service.

In 2011 about $10.4bn was spent on adverting in Russia and is expected to reach over $12.2bn by next year. This is a bigger increase than the projected 14% growth in India and 11.5% in China.

The survey shows the crisis hit Euro zone countries at the bottom of the list. Italy is in last place with ad spend barely changing at 0.2% growth, followed by France with 0.8% and Germany with 1%.

Vladimir Evstafiev Vice-President of the Russian Association of Communication Agencies (RACA) says “2011 was very successful and showed the ad market in Russia has been recovering. If the fourth quarter of 2011 hadn’t been poor due to the world crisis the year would have shown a 25% gain”.

Vladimir Evstafiev points out that ad market always reflects the situation in the national economy. In 2010 the Russian consumer market showed growth which was reflected in the growth of the ad market in 2011. The delay is caused by an industry peculiarity, where the entire budget is always planned a year ahead.

There are also a number of important factors, besides a stable economy, that play a crucial role in a young ad market like Russia. They should be taken into consideration when making forecast for the following year, believes Mr. Evstafiev.

One of the most important is so-called ‘media inflation’. “In Russia prices for adverts have always been low and they are increasing every year, trying to catch up with the Western market. For instance, one minute spot in the upcoming Oscar show is worth $2 million, what equals a month’s ad operation revenue on Russian TV. Prices still have space for further growth”, says Vladimir Evstafiev.

It is also very important, points out Mr. Evstafiev that many Western companies before entering the Russian market run a promotional campaign, contributing to Russian ad market growth. In the Far East Russian region Western well known ad companies are joined by ad companies from China and India. “Besides, Russian businessman are contributing to the national ad market, more local ad companies emerge and more people in Russia are eager to invest in the industry”, adds the expert.

If all these factors are positive, according Mr. Evstafiev’s cautious prognosis, in 2012 the Russian market will gain 15% growth, provided there is no stagnation in the national economy, like in 2008. The following year the local ad market dropped 30% in absolute figures

The Collective Tweet That Harbingers The Future of Advertising and Programming Trends

Super Bowl, and Its Ads, Set a Tweet Record
The surging social-media response to TV promises to shape future programming and advertising trends.
TUESDAY, FEBRUARY 7, 2012
BY DAVID TALBOT



Tweet down: The Super Bowl generated far more social-media comments—12.2 million—than any previous television event.

During Sunday's Super Bowl, more than 5.4 million people made a total of 12.2 million tweets or other social-media comments about the game—plus nearly another million comments on the advertisements—in the largest-ever such TV-triggered outpouring in the history of social media.

The comment numbers, clocking in at six times more than for last year's big game, were another sign of social media's disproportionate attention to television content, a phenomenon broadcasters and advertisers are increasingly trying to harness. Most of the comments were made on Twitter, which saw total overall activity double—but not rise sixfold—in 2011.

Reflecting this outburst, GetGlue, a social-networking site that allows TV watchers to "check in" to note they are watching a show—and then share opinions and recommendations—enjoyed more than 150,000 check-ins during game night, an all-time high for the startup—and a sharp rise from 20,000 check-ins last year.

The surging discussion of television content on social media is being actively cultivated by social-networking sites, and harnessed by TV and ad executives as way to promote shows and products, and as a real-time barometer of what viewers like and dislike.
The game surpassed the previous record of 3.1 million social-media comments in relation to a TV event—a milestone reached during the MTV Video Music Awards in August 2011, according Bluefin Labs, an analytics firm in Cambridge, Massachusetts. Bluefin shared some of its analytics and generated the estimate that 5.4 million people commented on the Super Bowl this year—about 90 percent of them on Twitter.

The Super Bowl high point, in terms of social-media comments, came near the end of the game, when Giants running back Ahmad Bradshaw tried not to score a touchdown, despite an open path to the end zone, in order to run down the clock. Bradshaw accidentally scored anyway. In the five minutes that followed, 400,000 people tweeted or made other social-media comments referencing it. The company added that the Madonna halftime show triggered 862,000 comments, almost as many as were made in response to the 2011 Academy Awards.

For its part, Twitter itself staged such stunts as ad scrimmage, which asked users to vote and comment on Super Bowl ads. And in a blog post, Twitter crowed about the huge surge in Super Bowl tweets over the past four years.

From the broadcasting perspective, executives are well aware that TV viewers aren't just reacting to football plays, but also increasingly pecking away their TV-related observations and opinions about all sorts of shows. Broadcasters are growing more interested in helping to fuel this tweeting.


Trend line: Super Bowl comment volume varied throughout the day, but peaked after the final Giants touchdown, when about 400,000 comments were made in five minutes.

The reason is simple: "They will say [to advertisers] that they are not only selling you an audience, but selling you an audience that talks on social media," thus generating more buzz for a product, says Tom Thai, head of marketing and business development at Bluefin.

And advertisers are keeping a closer eye on viewer reaction to their content. (A Super Bowl ad featuring David Beckham modeling his underwear line generated the most comments, with 109,000, 83 percent of which were from women. Coming in second was the Clint Eastwood-narrated Chrysler ad, which garnered 96,000 comments, 65 percent of which were from men, Bluefin said.) By this time next year, Super Bowl advertisers, after closely watching viewers' positive and negative reactions, will likely order up changes in the versions of ads they post later in the game.

Alex Iskold, GetGlue's founder and CEO, says it's possible that something similar will happen with TV shows. As broadcasters analyze viewer reaction to shows and characters, Iskold says, the shows "will be proclaimed hits or canceled based on user feedback." He also predicted that "shows might even change depending on user feedback in real-time."

The TV industry isn't just reacting to tweets, but also trying to leverage social networks in sophisticated ways for marketing purposes, says Gayle Weiswasser, vice president of social-media communications at Discovery Communications, the media company behind several TV networks, including the Discovery Channel, TLC, and Animal Planet. "TV networks are making their content more shareable and accessible across multiple platforms, and are paying close attention to what their audiences want and do," she says.

This would be a natural extension of the rapidly growing role social media has in television. Already, some reality and contest shows are tweeting out highlights and showing comments from viewers during the show, and staff members at broadcasting companies routinely maintain Facebook pages and run tweet campaigns about shows to prime viewer interest.

Digital 100 (UK): Top 100 UK Advertising Agencies








The Drum RAR Top 100



Rank

Previous
Company Name
1
NEW
The Fresh Group
2
NEW
HPS Group
3
45Up 42
McCann Erickson Communications House
4
NEW
Brilliant Media
5
13Up 8
Brightsource
6
1Down 5
Intermarketing
7
NEW
Emo
8
NEW
Purple Agency
8
NEW
WAA
10
9Down 1
IAS B2B Marketing
11
5Down 6
MB Advertising & Marketing
12
NEW
Volume
13
NEW
Fifth Ring Integrated Corporate Communications
14
NEW
Nexus/H
14
NEW
Equator
16
NEW
DirectionGroup
17
NEW
gyro
18
54Up 36
HROC Limited
19
11Down 8
Home James
20
NEW
Madhouse Associates Limited
21
NEW
Media Managers Limited
21
NEW
Michon
23
NEW
Public Limited
24
NEW
Grafton Media
25
NEW
Mason Zimbler
26
NEW
theEword
27
NEW
Engage
28
8Down 20
Barrett Dixon Bell
29
42Up 13
JJ Marketing
30
NEW
Greensplash Design
31
NEW
Numiko
32
51Up 19
MadeByPi
33
40Up 7
McCann Manchester
33
67Up 34
Big Communications
35
NEW
Conscia Enterprise Systems
36
NEW
Balloon dog
37
NEW
Involve
38
75Up 37
Dog Digital
39
25Down 14
Zone Design
40
NEW
Sequence
41
NEW
Bray Leino
42
31Down 11
Uncle
43
49Up 6
Tangible
43
68Up 25
Coolpink
45
38Down 7
Wyatt International
46
89Up 43
Whitespace
47
NEW
JBP PR & Parliamentary Affairs
48
NEW
Ferrier Pearce
49
NEW
Zeffa
50
NEW
Delineo
51
NEW
Palmer Hargreaves
52
NEW
Shout
53
NEW
Hampton Associates
54
32Down 22
Rare Creative Group
55
87Up 32
383 Project
56
NEW
CFA
57
NEW
me&him
57
44Down 13
CTI Digital
59
46Down 13
Golley Slater Group
60
2Down 58
RLA
61
NEW
Willoughby Pr
62
NEW
AVC Media
63
NEW
Guerilla Communications
64
NEW
Orange Bus
65
NEW
Mobas
66
41Down 25
Brass
66
82Up 16
Vivid Creative
68
NEW
Good Creative
69
100Up 31
Lesniak Swann
70
61Down 9
BJL
71
NEW
Pull Digital
72
63Down 9
twentysix digital
73
NEW
Webexpectations
74
19Down 55
Synergy Creative
75
NEW
Impact Design & Marketing
75
NEW
Open Communications
75
NEW
Stripe Communications
78
15Down 63
Perspektiv Group
79
72Down 7
Material Marketing Communications
80
NEW
K2L Marketing
81
NEW
Strawberrysoup
82
68Down 14
Pagoda Public Relations
83
NEW
C21 Creative Communications
84
32Down 52
Carpe Diem
84
65Down 19
Multiply
84
NEW
Clock Creative
87
18Down 69
Code Computerlove
87
42Down 45
Netcel
89
NEW
The Media Group
90
NEW
Indigo River Creative
91
NEW
Forever Creative
92
NEW
Buckingham Design Associates
93
57Down 36
APS Group
93
NEW
Evoluted New Media
93
NEW
Sizzle Media
96
NEW
Nerv Interactive
97
36Down 61
Freestyle Interactive
98
NEW
Graham Shapiro Design
99
70Down 29
Blueleaf
100
NEW
JamHot

The Drum Digital 100

The Digital 100 ranks agencies on their UK fee income from digital activities for the most recent complete year of audited accounts available to them. We have also highlighted the top marketing agencies, top design and build agencies and top technical agencies as well as rankings of the agencies in the regions.

We have also provided a list of the top digital media buying and planning agencies in the UK, who we have been ranked based on their total UK billings from digital activities.

The Drum received an overwhelming response to requests to enter the Digital 100 survey, so we thought it fitting to take a look at a few of those agencies who didn't quite make it into the final 100, but who deserve a mention. Click here for our Ones to Watch list.

See your company on the list? To link to company profile call Lisa Barry on 0141 559 6075 or email lisa.barry@carnyx.com.


Rank

Company Name

Digital - Fee Income (£)

Staff

Year founded
Owner
1SapientNitro91,649,882815
1998
Independent
2LBi/Bigmouthmedia88,086,016622
1995
Independent
3EMC Consulting60,700,000150
1991
Independent
4Wunderman34,907,600366
1958
Young & Rubicam/WPP
520:20 Agency34,495,906530
2006
Independent
6Detica28,738,710220
1999
BAE Systems
7Publicis Chemistry27,000,000350
2011
Publicis Worldwide
8TBG Digital26,300,00067
2001
Independent
9iris Digital23,715,084400
1999
Independent
10Proximity London22,500,000235
1991
AMV BBDO Group
11RAPP22,062,000456
1981
Omnicom
12CACI20,700,000200
1975
Independent
13Salmon Limited18,900,000220
1989
Independent
14glue Isobar16,058,326123
1999
Aegis Media
15G2 Joshua15,083,300180
1998
WPP
16gyro14,900,000250
1981
gyro
17Dare14,800,000192
1999
EDC
18Amaze14,200,000220
1995
Hasgrove
19Javelin Group13,500,000140
1997
Independent
20TH_NK13,426,40092
2011
Independent
21Tullo Marshall Warren13,230,100258
1987
Creston
22TBWA\London12,280,000200
1992
TBWA
23iProspect11,200,000166
1996
Aegis Media
24Start JudgeGill10,571,000127
1994
Independent
25Reading Room10,445,393130
1996
Independent
26Fortune Cookie9,344,574110
1997
Independent
27Publicis Modem8,400,00075
2007
Publicis Worldwide
28Crayon8,327,972134
1998
Independent
29HeathWallace8,300,00055
2001
WPP
30Rufus Leonard8,181,67593
1989
Independent
31R/GA London7,945,00075
1977
IPG
32Profero7,800,00090
1998
Independent
33Equator6,000,00080
1999
Independent
34Realise Digital5,922,880100
1999
Independent
35WCRS&Co5,911,959130
1979
Independent
36Zone Design5,752,00085
2000
Independent
37Bray Leino5,700,00057
1996
Independent
37The Group5,700,00060
1991
Independent
39Hypernaked5,586,66078
2011
Photon Group
40Redweb5,500,00082
1997
Independent
41IAS B2B Marketing5,400,00090
1973
Media Square
42Five By Five5,241,00080
1995
Lawton Communications Group
43Brass5,117,000110
1983
Independent
44Fuse85,060,00042
2000
Independent
45Story Worldwide4,800,00049
2005
Independent
46Abacus e-Media4,744,27462
1980
Independent
47Skive Creative4,600,00055
2011
Independent
48Technophobia4,352,06980
1995
Capita Group
491000heads4,317,80851
2000
Independent
50twentysix digital4,300,00089
1996
Media Square
51The Big Group4,227,35556
1991
Independent
52Sequence4,151,06852
1995
Independent
53Epiphany Solutions4,100,00084
2005
Independent
54Rippleffect4,072,75365
1999
Trinity Mirror
55dnx4,050,00070
2000
Independent
56Emo4,024,000180
1989
Creston
57MadeByPi4,000,00038
1996
Independent
58Precedent3,890,00070
1989
Independent
59Freestyle Interactive3,660,24151
1996
Independent
60Blue Barracuda Marketing3,634,99058
2001
Draftfcb
61CMW3,600,00072
1995
Media Square
62Tempero: Social Media Management3,500,000160
2002
Independent
62Pancentric Digital3,500,00045
2003
Independent
64Stickyeyes3,487,91978
1998
Independent
65Grey London3,450,000195
1962
WPP
66e33,421,13141
1997
Independent
67I Spy Marketing3,208,97941
2005
Independent
68Steel3,200,00042
1980
Independent
68Code Computerlove3,200,00058
1999
Independent
70Dog Digital3,100,00038
1996
Independent
71Golley Slater Group3,000,00045
1953
Independent
71Outside Line3,000,00050
2000
Independent
73Locker Room Media2,950,00022
2001
Independent
74We Are Social2,819,00060
2008
Independent
75Somethin' Else2,800,00062
1991
Independent
76Mason Zimbler2,787,00056
1997
Harte-Hanks
77Affinity New Media2,766,12635
1997
Independent
78Bourne2,700,00040
2009
Next Fifteen
79Mando Group2,634,87355
1997
Independent
80Fallon2,500,000140
1998
Publicis Groupe
81Airlock2,400,00025
2001
Leo Burnett
81great fridays
2,400,00040
2008
Independent
83DBD Media2,300,00015
2000
Independent
84Guava2,228,48954
1998
NetBooster
85Coolpink2,186,79330
2001
Independent
86Volume2,055,00094
1997
Independent
87Vertical Leap2,038,00035
2001
Independent
88Logistik2,020,00085
1997
Independent
89The Red Brick Road2,000,00090
2006
Independent
90WAA1,890,30160
1986
Independent
91Clock Limited1,815,00035
1997
Independent
92Big Picture Interactive1,800,00018
1995
Independent
92CTI Digital1,800,00035
2003
Independent
94Rockpool Digital1,750,00040
2004
Independent
95Blonde1,700,00032
2006
Cello
96Cubo Digital1,690,00038
1995
Independent
97Flourish1,600,00022
2004
Independent
98Spinnaker1,595,69624
2004
Independent
999xb1,550,00034
2004
Independent
100NetConstruct1,500,00027
1995
Independent